Octave Fontsize UbuntuThe Wall 1. In addition to a variety of different guitars David got a new smaller Pete Cornish board that he used on the recording sessions together with the Hiwatt amps and Yamaha rotating speakers. His raw and aggressive tone suited the albums dark sound and it also feature some of his finest work. The huge scale of the stage production required two setups one main setup consisting of the Animals amp rig and Pete Cornish board and a smaller rig that was used during the second half of the show in front of the wall. Pete Cornish pedal board andadditional effects recording sessions. Pedal board effects listed as in chain. Dallas Arbiter Fuzz Face BC1. Electro Harmonix Big Muff Rams HeadElectro Harmonix Electric Mistress. MXR Dynacomp. MXR Phase 9. Pete Cornish ST 2 Treble and Bass Booster. Pete Cornish custom vibrato pedal. Pete Cornish custom volume pedal. Additional units. MXR Digital Delay System INote The board dates from February 1. Davids studio board he might also have used single pedals during the sessions notably on early demo sessions. Davids second Pete Cornish pedal board dates from February 1. Octave Font' title='Octave Font' />Wall recording sessions. The board was later used on the Division Bell recording sessions and by Tim Renwick on the 1. Pete Cornish pedal board andadditional effects 1. Pedal board effects listed as in chain. Octave Font Size Plot' title='Octave Font Size Plot' />Dallas Arbiter Fuzz Face BC1. Electro Harmonix Big Muff 1. Rams HeadMXR Phase 9. Electro Harmonix Small Stone. Electro Harmonix Electric Mistress. Article-Images/3326OS_07_14.png' alt='Octave Font Size' title='Octave Font Size' />Pete Cornish ST 2 Treble and Bass Boost. Cry Baby wah wah. Octave Mirbeau, n le 16 fvrier 1848 Trvires et mort le 16 fvrier 1917 Paris, est un crivain, critique dart et journaliste franais. En musique, une octave est lintervalle sparant deux notes de mme nom. Divise en plusieurs sousintervalles, elle permet de dfinir les gammes. The term Octave of Easter refers to the eightday period in Eastertide that starts on Easter Sunday and runs until the Sunday following Easter, known as Divine Mercy. MXR Dynacompsendreturn for additional effectsPete Cornish tone pedal. Pete Cornish volume pedalsendreturn for MXR DDLMXR Noise GateLine Driver. Additional units. MXR Digital Delay System I2 Boss CE 2 Chorus. Conn Strobo tuners. Note This board was originally designed in early 1. Animals recording sessions and tour and was also used on Davids first solo album in 1. The board was used as Davids main stage board for the Wall tour. For a wider stereo effect the signal out of the board was split and fed through two Boss CE2 chorus pedals. Davids main pedal board on the Wall tour was originally constructed for Animals recording sessions and tour in 1. The board now featured a couple of updates including a Big Muff, Electric Mistress and Pete Cornish ST 2 overdrive. Notice the two Boss CE2 chorus pedals to the right of the board. These were used for the split signal out of the board creating a stereo effect. Pete Cornish mini pedal board front stage1. Pedal board effects listed as in chain. Electro Harmonix Big Muff 1. Octave Font Free DownloadRams HeadElectro Harmonix Electric Mistress. Pete Cornish custom volume pedalsend return to MXR DDLDavid, Snowy and Roger each had a mini board constructed by Pete Cornish that were used during the second half of the show when they performed outside the Wall. Davids board featured just a Big Muff, Electric Mistress, volume pedals and sendreturn for the delay. The inlay shows the board with a switcher pedal on top for the MXR Digital Delay. Pete Cornish pedal boards. David had three different pedal boards for The Wall. Pete Cornish made him a new board for the recording sessions and the mini board that were used while playing infront of the wall during the second part of the show. Davids main board for the show was an updated version of the Animals board. All three boards had two inputs for each guitar and three outputs for each of the amps. The signal is fed into the board and divided into a Conn Strobo Tuner and a master bypass. The main signal is then fed through a filter that equalizes the inputoutput volume to avoid any signal loss and match all effects. See this feature for more on Davids Pete Cornish Animals pedal board. Guitars and amps recording sessions. Fender Stratocaster The Black Strat 1. Charvel flamed maple neck and Fender 1. Di. Marzio FS 1 bridge pickup. Fender Esquire 1. Fitted with a custom Seymour Duncan neck pickup. Gibson Les Paul Goldtop 1. Gibson P 9. 0 soapbar pickups. Fender Baritone VI Run Like Hell recording sessions. Fender Telecaster Custom 1. Stratocaster neck pickup and rosewood neck. Jedson lap steel blondeZB pedal steel guitar. Ovation Custom Legend 1. Comfortably Numb recording sessions with high octave tuning. Ovation 1. 61. 3 4 acoustic nylon string guitar. Martin D1. 2 2. 8 1. Martin D3. 5 acoustic steel string guitar. Hiwatt DR1. 03 All Purpose 1. W heads with Mullard 4x. EL3. 4s power tubes and 4x. ECC8. 3s pre amp tubes. Yamaha RA 2. 00 revolving speaker cabinet. Alembic F 2. B tube preamp Yamaha preamp. WEM Super Starfinder 2. Fane Crescendo speakers. Davids two main guitars for the Wall live shows The Black Strat, now featuring a Charvel maple neck and a custom wound Duncan SSL1 bridge pickup and the 1. Fender Equire fitted with a custom Duncan neck pickup. David used a Gibson Les Paul 1. Gold Top for several songs during the first half of the show including Another Brick in the Wall part 2. David playing a mandolin during the shows finale after the Wall was torn down. Guitars and amps 1. Fender Stratocaster The Black Strat 1. Fender 1. 97. 1 neck and middle pickups and a Seymour Duncan custom SSL 1 bridge pickup and a Charvel flamed maple neck. Fender Esquire 1. Fitted with a custom Seymour Duncan Stratocaster neck pickup. Used on Run Like Hell with dropped D tuning. Gibson Les Paul Goldtop 1. Gibson P 9. 0 soapbar pickups. Fender Stratocaster 1. Fender pickups, white pickguard and a 1. This was used as a spare. Telecaster Flamed sunburst body with binding, Filtertron pickups, tremolo bridge and a Charvel maple neck. Probably used as a spare. Ovation Custom Legend 1. Ovation 1. 61. 3 4 acoustic nylon string guitar. Electra Mandolin. Amps and speakercabinets main stage rig. Hiwatt DR1. 03 All Purpose 1. W heads with Mullard 4x. EL3. 4s power tubes and 4x. ECC8. 3s pre amp tubes one head was a spare. Modified for linked normal and brilliance inputs. MesaBoogie Mark I 1. W head 46. L6 and 21. AX7 tubes. The amp was used for boost and distortion. Yamaha RA 2. 00 revolving speaker cabinets. Alembic F 2. B tube preamp Yamaha preamp. WEM Super Starfinder 2. Fane Crescendo speakers. CLICK FOR BIGGER IMAGE. Davids main rig for Wall live performances 1. Conn Strobo tuner, 2. Alembic F 2. B tube preamp, 3. MXR Digital Delay System I, 4. Hiwatt DR 1. 03 1. MesaBoogie Mark I 1. Chaeffer Vega Wireless System transmitters, 7. Roland CR 7. 8 Compurythm metronome. Amps and speakercabinets front stage rig. Hiwatt DR1. 03 All Purpose 1. W head with Mullard 4x. EL3. 4s power tubes and 4x. ECC8. 3s pre amp tubes. Modified for linked normal and brilliance inputs. WEM Super Starfinder 2. Fane Crescendo speakers. Note This second smaller rig one Hiwatt head with one WEM cab was used while the band performed in front of the wall during the second half of the show. Guitar and amp setups. David used Herco and Guild heavy gauge teardrop picks. All electric guitars were strung with Ernie Ball Stratocaster 0. Telecaster 0. 1. 0 0. Gibson Sonomatic E3. L. Speaker cabinets were miced with Shure SM5. Further reading. See these in depth features for more on Davids gear Pete Cornish Animals Effects Board, Big Muff, Electro Harmonix Electric Mistress, The Black Stratocaster, The 0. Stratocaster, Telecasters, Slide Guitars, Alembic F 2. B preamp, Yamaha RA 2. Hiwatt amps WEM cabinets. Acknowledgements and credits. The Wall album 1. Is There Anybody Out There The Wall Live 8. The Wall demo tapes, Guitarist Magazine Relics 1. The Wall. Settings and setups Keep in mind that all effect settings and setups are based on pictures and video from a certain date andor interviews and 3rd hand transcriptions that are subject to interpretation. David often make adjustments and may not even be consequent in how hes using the equipment. This feature should therefore only be used as a guideline for your own setup and not as a gospel. Its also wise to acknowledge that technique, place and time, studio trickery and who knows what plays a role in Davids tones in addition to the equipment. Please note It should be mentioned that much of Davids sound on The Wall lies in the recording and mixing of the album. Engineer James Guthrie and Gilmour tried all sorts of things to make the guitars sound bigger and better. Some of the tracks are fed directly into the mixing desk and others are heavily gated and compressed. This is something thats nearly impossible to re create. I have tried to list what I think is desk recorded, but this is not documented, apart from the Brick part 2 solo. Its also worth mentioning that Davids live sound on the tour was very much the work of engineer James Guthrie. Together with Phil Taylor and Pete Cornish, they produced a complex guitar sound that was way ahead of its time. Most of the rhythm parts were also doubled by Snowy to fatten the sound even more. David used both a MesaBoogie amp and a Cornish ST 2 booster for overdrive sounds on stage. Its not documented which uint he used on which song. Ive listed them both as simply overdrive. Big Muff sustain 7. Pete Cornish ST 2 Treble and Bass Boost mild OD treble 9 0. OD treble 9 0. 0, bass 1. Note The settings are based on the Colorsound Power Booster. MXR Dynacomp output 2 0. MXR Phase 9. 0 rate 1. Electric Mistress colour 1. MXR digital delay time 3. Another Brick 1 Last Few Brick time 3. Run Like HellNote This seems to be the typical times for the delays, normally with 5 6 repeats and volume at 3. I have listed below where the feedbackrepeats are increased. In the Flesh studio. Stratocaster, bridge pickup rhythmlead Muff rhythmoctave Mufflive. Stratocaster, bridge pickup main riff Muff, Electric Mistress and mild delay verse rhythms clean signal with Electric Mistress. Note Pink Floyd were performing behind a curtain while the Surrogate Band was on stage. Thin Icestudio. Stratocaster, bridge pickup rhythm Muff double track solo Muff and Electric Mistresslive. Stratocaster, bridge pickup rhythm and lead Dynacomp, mild overdrive, Electric Mistress and delay. Another Brick in the Wall 1studio. Stratocaster, bridge pickup rhythmlead 3 tracks clean signal into mixing desk with delay long feedback rhythmfill ins Muff and Electric Mistresslive. Stratocaster, bridge pickup rhythmlead Dynacomp, Electric Mistress and delay long feedbackNote The live version includes both Gilmour and Snowy. All fuzz parts were done on a syntheziser. Happiest Days of Our Livesstudio. Stratocaster, bridge pickup rhythmlead clean signal into mixing desk with delay long feedbacklive. Gibson Les Paul, bridge pickup rhythmlead Dynacomp, mild overdrive, Electric Mistress and delay long feedbackAnother Brick in the Wall 2studio. Stratocaster. Gibson Les Paul solo rhythm bridge pickup clean signal into mixing desk double track rhythmmelody fill ins bridge pickup Muff and Phase 9. MesaBoogie amp and back into the mixing desk. Note Its reported that David used the 1. Stratocaster on rhythm parts. Stratocaster, neck pickup rhythms Dynacomp and Electric Mistress solo Dynacomp, mild ovedrive and Electric Mistress. Note Gilmour would sometimes change guitars during the last chorus and use the Les Paul on the solo ass seen at Erls Court 1. Motherstudio. Acoustic steel string guitar. Stratocaster, bridge pickup rhythmverse acoustic guitar played by Roger Waters rhythmchorus section acoustic guitar played by David Gilmour solo Muff and Electric Mistresslive. Stratocaster, bridge pickup random picking verse sections clean signal with Electric Mistress solo Muff, Electric Mistress and mild delay. Note Although the Yamaha rotating speakers was on for most songs, its a dominating effect during the solo. Goodbye Blue Skystudio live. Ovation acoustic nylon string guitar. Two separate acoustic guitar tracks played on a nylon string guitar. Note Both Snowy and Gilmour played this live. Epmty SpacesWhat Shall We Do Nowstudio. Stratocaster, bridge pickup solo Muff and Electric Mistress rhythm from climax and vocals Muff and Electric Mistresslive. Fender Telecaster with low E tuned down to D, bridge pickup Empty Spaces lead Muff, mild overdrive, Electric Mistress and delay What Shall rhythm Big Muff and mild ovedrive. Note Although the Yamaha rotating speakers was on for most songs, its a dominating effect during the intro solo. Young Luststudio. Fender 1. 95. 5 EsquireTelecaster, bridge pickup rhythm Muff solo Muff and Electric Mistresslive. Stratocaster, bridge pickup rhythm solo Dynacomp, mild overdrive and mild delay. Note Although the Yamaha rotating speakers was on for most songs, its a dominating effect during Young Lust. Davids rhythm main riff guitar is also underlined subtle fuzz synthesizer. Oone of My Turnsstudio. Stratocaster, bridge pickup rhythm clean signal rhythmscat mild overdrive and wah wah played by Lee Ritenour solo 2 tracks Mufflive. Gta Vice City Stories Rom on this page. Gibson Les Paul, bridge pickup rhythmsolo Dynacomp, mild overdrive and Electric Mistress. Note Although the Yamaha rotating speakers was on for most songs, its a dominating effect during One of My Turns. Dont Leave Me Nowstudio. Stratocaster, bridge pickup echo effect clean signal with Phase 9. Muff fill in strum on Am clean signal through a Yamaha rotating speaker solo Muff and Electric Mistresslive. Gibson Les Paul, bridge pickup echo effect clean signal with Electric Mistress and delay long feedback solo Big Muff, mild overdrive, Electric Mistress and delay. Note Although the Yamaha rotating speakers was on for most songs, its a dominating effect during the solo. Another Brick in the Wall 3studio. Gibson Les Paul, bridge pickup ryhthmdelay guitar clean signal with Electric Mistress and delay rhythmlead and fill ins Muff and Electric Mistress delay loop clean signal and delay played by Waters mixed with Hammond organlive. Fender Stratocaster, bridge pickup rhythmloop guitar Dynacomp, Electric Mistress and delay. Note Snowy did all fuzz leadsfill ins. Last Few Bricks medley only played live. Gibson Les Paul, bridge pickuphappiest days of our lives rhythmdelay guitar Dynacomp, Electric Mistress and delaydont leave me now rhythmwall guitar Dynacomp, Electric Mistress and delay. Note Snowy playing echo effect guitar. Dynacomp, mild overdrive and Electric Mistress. Note Davids guitar is emphasized with a fuzz syntheziser. Dynacomp, Electric Mistress and delay solo Dynacomp, Big Muff, Electric Mistress and delay. Note Snowy playing Wall echo guitar. Goodbye Cruel World delay loop clean signal and delay played and recorded by Waters mixed with Hammond organ. Hey Youstudio. Ovation acoustic steel string guitar, high strung Nashville tuning.